Matthias Müller Movies

Muller/Girardet short

BEACON is a montage of location shots filmed at ten different places around the world. These sites are connected by the fact that each is located by...

Viennale-Trailer 2000

This is somebody, nobody, anyone. This is us in the course of time. Persistently, in vain. The self is the need for permanent self-assertion.

In Phantom, each face, each body appears, like cinema itself, from beneath a curtain that flutters and flickers to reveal haunted silhouettes that...

“While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with...

Matthias Müller’s films are always about both the eternal and the volatile qualities of cinema. They exaggerate the unreality and clinical...

The television images of the collapse of the World Trade Center were preceded by manifold stagings of the building, either as a highly symbolic icon,...

About blind people in Hollywood films

Time and again, the feature film places animal actors at the side of its human protagonists – sometimes as loyal companions, sometimes as...

The body as a wound that never heals.

A short feature about an optical experiment.

Album also represents a further step on a path Müller set off on several years ago: away from festivals and toward the art market. Album does...

AUS DER FERNE – THE MEMO BOOK (1989) is a reminiscence of a friend who had died of AIDS. His own mourning finds expression in the blending of...